BB's News
A new year!
Dear Weavers
I hope you all had a wonderful festive season and started the new year with good health & happiness. It is somehow hard to believe we now have the year 2025. Wasn't it only just 2000, 2010, 2015 and 2020? I actually remember writing 2015 for the date and now we simply have another 2 to add. Where does the time go? This sounds so cliché, but it is really like that.... where does the time go??? I really don't know.... there just doesn't seem to be enough of it.
It has been a while since I wrote the last blog post. Every year starts good and I manage to write regular posts. But once we get to the second half of the year, it seems to get busier and busier and my good intentions slip away. This makes me feel bad. Maybe yes I put too much pressure on myself thinking that this blog needs to have new posts all the time. I admire the blog post writers who manage to produce a post every single month, very prompt and regular. Then on the other side I look at this blog as my way to let my immediate thoughts go and maybe even collect new ones? It is a great way to sum up what happened over the last weeks or months. I like that. It is a way to see what has happened and at the same time look forward what is going to happen.
So let's see what has happened since my last post:
September saw me housesitting for my "adopted mum" in Bundaberg and looking after her two Labradors. I arrived to an awful loud noise in the house and had to work out that the fan at the back of the fridge was in pieces. So no fridge! Thank goodness I had my little camping fridge in the car to plug in and use.... I then spent most of the week trying to fix this fridge. Which I managed! When the house owner came back the fridge was working again like normal. But what I remember most of this time were the many walks with the dogs and having them snoring at my feet while watching tv.
End of September I was back in Maryborough at the Gatakers Artspace to give the second workshop in conjunction of the Hervey Bay Spinners, Weavers & Fibre artists exhibition. This time it was a more advanced workshop to create a weaving picture. I showed the participants how to have a silhouette picture on paper and turn it into weaving by using the double weave pick up method. It was quite challenging for many of them, but it was amazing to see the penny drop for one after the other. Weaving can have so many faces. One day it can be simple/fast and next day it is complicated/slow. Whatever we create it always opens new doors/ideas. It was fascinating to see what each participant created. Even months after I get messages from someone to show me what has been woven from my workshop. Very satisfying for me to see.
The beginning of November saw me travelling down south to Lismore to give a workshop for the weavers of this area. This time it was all about Shadow weave. The weavers came from all over the area. The workshop was taking place in Wollongbar, which is somewhere in between Lismore and Ballina. What a beautiful part of Australia, lush green and friendly people. The workshop I have prepared was all about on how to design your own shadow weave, how to create the pattern with the help of the many samples I presented. Each participant ended up with a hand towel with several shadow weave blocks designed by themselves. At the end of the two days everybody was happy to go home and finish the weaving. What a lovely group this is! I wish I had a group like this here. Thank you to the Lismore weavers for the hospitality and keep on weaving.
After the workshop in Wollongbar I spent a couple of days in the area to chill out before the next event. I spent one day with Helen in Ballina, which was amazing. We went for a walk in the morning and I even saw dolphins swimming near the pier! Just magical.
I then moved on back to Brisbane to give another workshop. This time I was met by many known faces, old weaving friends and students. It was so good to see them all again! But thank goodness for the airconditioned room. Brisbane was hot and humid and the noise!!! When we lived there it was just normal to hear the constant noise of cars and trains. But now after living up here in the peaceful quietness for so long, it was really hard to cope with the city noise. Apart from that, I had a really good time there. Thank you Kumi for hosting me and for the lovely, lovely chats (we talked weaving and weaving and more weaving for hours....) and great food.
As soon as I was home we started to get visitors from near and far. At the end of November long time friends from Switzerland arrived to stay with us for a weekend. It made me aware that my swiss isn't as fluid as it used to be. (We've migrated to Australia over 25 years ago, so it makes sense.) But we had a wonderful time catching up on all Swiss, Australia, our families and work. Who knows when we are going to see each other again. Thanks Myriam and PA for dropping by.
Then came Christmas and the New Year. And here we are. So what is 2025 going to bring? I don't know, we'll see... I have some ideas and most of all my fingers are itching of all the things I have in mind to weave. Watch the space. Follow me on Instagram (bbyarnsupply) or Facebook (BB Yarn Supply) to see and hear it first.
Until the next time, happy weaving everyone!
Ursula
Merino/Tencel






Bambu 12 & Bambu 7 yarn
Sample cards
My weaving shed
Dear Weavers
I hope you all had a wonderful festive season and started the new year relaxed with lots of creative ideas and amazing plans for 2024.
I have used the time between Christmas and New Year to make the move into my new weaving studio complete. We, my husband and I managed to finish two lots of steps/entrances to the doors. One entrance even received a proper porch, little roof and large steps. I already lost track on how many times I have walked up these steps by now. It's wonderful to have this grand entrance!
My office is now also moved into the weaving shed and with it everything regarding BB Yarn Supply, including the correspondence course and 8+. The weaving shed now has everything in one place.
All of BB Yarn Supply with all its yarns and accessories is now here, my three looms are finally all in one room and all the Glui7 materials are here too. By the way this is the first time all three looms are together in one room. I can now jump from one loom to the other quite easily. This is now truly a weaving place only (except for the orchids...). My happy place!
I like to have all the looms occupied with something. I am totally aware, that one can only weave on one loom at a time, but I don't like looking at a "naked" loom. So therefore this was the first thing I worked on, making a warp for each one of them. At the moment the small computerised Mecchia has the t-towels for the shadow weave workshop on it. The large computerised Mecchia has a white warp on it for a fabric to make caps. It is the same kind of fabric like the pullover scarves, but only one layered. The Glimakra is about to have a 10m warp for turned twill t-towels wound on. Whenever a visitor is stepping into the studio, there will be something to see and nobody has to imagined how these looms are suppose to work. I am more than happy to give a quick demo and show someone what these looms can do. Over the festive season I already had two interested visitors in my studio.
My plans for the future, probably not quite this year maybe next, would be to open the studio for weavers to enjoy workshops right here. I have three looms to work on, so I'm thinking to give private workshops for one or two weavers at the time. Not just a day, probably from two day to a week long stay, to have time to concentrate on a topic in great length. A week of weaving in a relaxed and peaceful place for you to enjoy. Weaving from morning until night, no interruptions and chores to do. Only the accommodation has not been solved yet, but this can be sorted in the nearby town of Gin Gin. What do you think? Would you be willing to come here for a weaving retreat?
So what is in my weaving studio apart from the three looms? There is a great large table for designing or cutting fabrics. My newest edition is a brand new vertical warping mill from Toika, 4m circumference for easy and quick warping. Cupboards and shelves full of yarns. Reading corner with lots of magazines. A mannequin for testing a new form of clothing or take perfect photos. A tv for presentations or watching inspiring videos. The studio is airconditioned for hot days. Beautiful view out the windows.
Enough writing, I better go and do some weaving.
Thanks for reading and I hope you enjoyed the photos.
Ursula
Lots of good news
Chenille workshop, holiday & weaving shed
Dear Weavers
It has been a while! For me it only seems yesterday I wrote the last blog post. But no, it has been 4 months ago!!! And yet so much has happened since.
In May my husband and I made the long journey to Europe and back. We really had the urge to visit our families in Switzerland like so many others after the pandemic. It was absolutely amazing to be able to give them all a big hug, chat for hours and eat lovely swiss food, especially cheese! We indulged in every way or form. It was a very busy holiday, but oh so worth it. Great memories were made. Unfortunately coming home was not so nice. We both got sick the next day we arrived home, most likely Covid and spent the following week in bed. But we were just glad it didn't happen during the holidays and we had beautiful memories to pull from.
Back home we continued with the build of my brand new weaving studio. It is coming along nicely and I will be able to move in soon. Can't wait to finally have my three looms back up and running again. It will be amazing to spread out and have my truly own space surrounded by all my looms and yarns... I think I will call my new studio "BB's weaving shed", as it looks quite similar to a shearing shed.
In August I had the pleasure to give a workshop to the lovely group of weavers in Hervey Bay. The Hervey Bay Spinners, Weavers & Fibre Artists are a very warm and welcoming group of people. And I feel I made a lot of new friends over these couple of days. I drove to Hervey Bay twice for one day of workshop each time. The topic was "Making rag chenille and weaving it back into a mat", twice woven fabric. On the first day I showed them how to set up the loom to weave the rag chenille. Each one of them went home happily to finish weaving the chenille caterpillars. After two weeks I returned to weave the chenille into a lovely soft bathmat or chair pad. A great way to re-use your old t-shirts, pants or other fabrics instead of throwing them into the bin. A little time consuming, but a great way to help the environment and basically going back to what has been done centuries ago. It was a lot of fun and very colourful. Each mat turned out totally different because of the different fabrics used. Not one was even similar looking. Amazing work and thank you Hervey Bay group for having me.
If your guild or weaving group would like to do something similar, send me an email and require about workshops. Due to the demand and my current situation I have decided to be available again for in person workshops from beginners to advance. Or you can attend the weaving seminar in 2024, where there is going to be another exciting 2 day workshop. Send email to sales@bbyarn.com
Last but not least I would also like to announce that the colour theory and twill drafting courses are now also available in print version. It is a little bit costly but would give you the option of having a piece of paper in your hand, rather than reading it on your computer. Go to www.bbyarn.com or click on one of the links below to get straight to the right page.
Colour Theory 1 + 2 print version $42 each + postage
Colour Theory 1 + 2 to download (PC + Mac version) $24.90 each
Twill drafting 1 + 2 print version $42 each + postage
Twill drafting 1 + 2 to download (PC + Mac version) $19.90
That would be all from me. I hope this blog post was interesting to read and I wish you happy weaving wherever you are and whatever you are doing right now.
Cheers
Ursula
Drafting and Colour Theory
Dear Weavers
So far I have always talked about yarn, fibre or any business matters in this blog. This is therefore a quite different blog post. I am really excited to finally show you what I have been working on for the last couple of months. (Drumrolls...) Please welcome the first parts in Drafting theory and the whole course of Colour Theory for weavers. These two topics are sections out of BB Yarns Weaving correspondence course from level 1. Instead of having to do the whole course with all its five subjects, it is now possible to do the drafting and colour theory separately.
Drafting:
Have you ever thought you would like to design your own drafts, but wouldn't feel confident enough to give it a try? Well this course will show you how. Or maybe you would simply like to brush up on twill drafting? After working through all the exercises you will happily design your own twill draft and maybe even go to the loom and weave it.
It is easy to just copy a draft out of a book or magazine. But to actually design your own pattern and weave it? That is using the whole design options of a weaver!
Learn how to draw your own draft and you
- learn how to read a draft
- can change a draft to your liking
- and make it your own
The first two parts of Drafting theory include everything about the weave structure Twill. This is such a huge and important part of drafting. It deserves two separate parts just to talk about all the twill patterns. The theory works itself through from the very simple one line twills to undulating twill, turned twill, herringbone twill and lots more.
This two part course starts with simple instructions on how a draft works and how it is built. My drafting theory is based on the drawdown, the designing section of a weaving draft. From there we work out the threading, treadling and tie-up. This way it shows how a draft is created and how you can design your own draft. And you are not limited to shafts or treadles.
Every twill pattern is described to its potential and what it is best used for. After each chapter there is an exercise for you to work through to get your own experience in designing the specific twill. Solutions for the exercises are given in an extra file. Each twill description also includes many examples for your own study. All exercises are added in a separate file in a printable version for your convenience.
For more information go to www.bbyarn.com or simply click on the link below Drafting
Colour theory:
Have you ever felt like breaking out of the same old colour scheme you have been using? But you don't feel confident enough? Would you like to learn more about colours and how they behave?
Well this two part colour theory course will certainly change your mind and hopefully give you the ability and security to leap out and use more colours in your work.
This course is based on Johannes Itten's colour theory and the 7 contrasts. The course is ideal for textile designers and each contrast has special notes on how the theory can be used in weaving. It is eye opening for what a slight difference in a colour can do. What things to avoid and where the harmonious colours hide. What is the trick to make sure the fabric ends up to be balanced in colour?
The course uses water based paints for easier and faster experimentation with colours. Each contrast is explained with lots of examples and has various exercises to complete and work on.
Work yourself through this course and receive colour confidence!
Learn the laws of colour for
- new knowledge in your textile work
- being able to remix colours from a sample
- able to distinguish differences in colour
- most important get confidence in new colour combinations
For more information go to www.bbyarn.com or simply click on the link below Colour theory
Looking forward to hear what you think about these new learning modules. Are they helpful and would you like to know more?
To finish this off I leave you with a picture of my dog. Poor Lucky had to undergo surgery on her tail late January. She had a lump on her tail which started to grow inwards and we were worried it could eventually effect her use of the tail. So we had the lump taken out. But look what they did to her tail! She looks so silly. But the wound is healing very well and thank goodness the hair already starts to grow back. The lump came out to be benign, which we were very relieved about.
Happy weaving and thanks for reading
Cheers
Ursula
Tencel yarn
Dear Weavers
Happy New Year! I hope you all had a wonderful festive season with family and friends, lots of laughter and beautiful sunshine in your hearts. My husband and I took two weeks off over Christmas and New Years and used the time to do some work around the house. There is still so much we need to do, small jobs everywhere and with all the rain the weeds started to grow like crazy. But of course there was also time to go out and visit friends and neighbours. Overall a very nice change from all the office/computer work and weaving. I am back now with new enthusiasm and energy.
In this blog post I would like to talk about the tencel yarn. BB Yarn Supply has the Tencel 10/2 and 20/2 on stock. Both are available in their natural white colour, ready to be dyed or simply used in white. They come in 100g spools and have the reasonable price of $17.90
What is Tencel? Well, the name Tencel is really a brand name. The real yarn content is lyocell. Lyocell is basically a kind of wood pulp which is 100% cellulose fibre, like cotton or linen. The wood pulp is then chemically processed to create the yarn. A similar process like a rayon fibre. The only difference is that Tencel is a registered trademark and might be slightly different than a rayon or viscose yarn. I find the Tencel yarn quite special, it is a bliss to work with. It is what I call a slippery yarn. The reason why I say this is that the yarn has a very smooth surface and has absolutely no fluff. But it still feels soft and luxurious to touch. Tencel yarn has an absolutely gorgeous drape and feels light and cuddly on the skin. A very suitable yarn to make scarves or shawls and not having to go over your yarn budget. One of the main attributes of Tencel is how well it takes the dye. It is really easy to get a beautiful bright colour with most cellulose dyes. This yarn is therefore ideal for warp dyeing or painting. Just recently the Handwoven magazine presented (November/December issue) a project with Tencel 10/2 and dyed warp. See below.
Handwoven magazin November/December 2022, pp 54-56
The sett I would use for Tencel 10/2 is 20-30epi and for the Tencel 20/2 I recommend 28-45epi. Both yarns make beautiful products in any sort of weave structure. But I would say this yarn is probably best used for a scarf, shawl or yardage. Tencel can of course also be mixed with any other yarn, for example have the Tencel in the warp and another yarn in the weft. Here are some examples:
Leno in Tencel 10/2
Twill yardage for a sofa cover
Huck lace in Tencel 20/2 for a shirt
I hope I was able to inspire you a little bit with my Tencel ideas. Should you be interested and would like to try out the Tencel yarn, use the link below or click on any picture to get straight to the Tencel page on BB Yarns online shop.
Should you have any questions, please don't hesitate to give me a call or send me an email. Always happy to hear from you.
To finish this off, here is a little visitor from our veranda. This fellow sits on my shoes in front of our window every night and has a feast from all the insect that get attracted by the light. Isn't he handsome?
Thanks for reading and happy weaving until next time.
Cheers
Ursula
The happy weaving week!


